Something Will Happen Next, 2016
Painting - Iridescent Paint, 2 Found Tiles 10 x 10 x 1 cm (each), Ambient White Light.
These tiles were removed from the wall of a house before renovation. They wear over time and their cracks are similar to hand lines. One remains untouched, the second is fully covered with paint which appears invisible from some points of views.
Mind Game and Translation, 2016
Installation - Glass 2 formats 120 x 120 cm, Iridescent Paint, Ambient White Light, Found Perfumes Bottles Polished.
A chest grid is painted on glass, the colors change according to the distance and point of view. At times the squares might appear polished and the light-grey green grid melts with its shadow, while the traces of the paintbrush are revealed from other points of views. From far, the vivid pink allows the grid to appear detached from the wall.
Vent du Sud, 2016
Painting - Iridescent Paint, Polyester 2 layers 135 x 350 cm, Ambient White Light.
A very transparent textile suspended, takes its autonomy by distancing itself from any wall, it is revealed by a «Moiré effect», an undulating drawing created with the superposition of 2 textiles trams. The movements, sometimes caused by air stream or the displacements of bodies, shake this vibration. Only the outline of the painted heavenly body appears steady, as a moon of the day, sometimes white, sometimes light-yellow, as a moon of the night, sometimes electric blue, sometimes dark and grey.
What can’t be transcribed
Painting - Iridescent Paint, Polyester 110 x 140 cm.
A very transparent textile is suspended onto a white wall, which creates a sensation of solidity, while the painted hands melt with the background and their shadow.
Installation - Construction Paper 210 x 225cm, Iridescent Paint, Ambient Light.
A support of protection and errors becomes a support of painting. The gesture appears visible only from some point of view; the painted shape is ghostly.
Color Drunkness, 2016
Video Installation - Video : 3min 06sec, Loop, Beamer, Silver Transferring Paper
A fast car ride flirts with abstraction. The camera absorbs the colors of the blurry city late at night. The image is transformed through its projection onto a shiny transferring paper. Thus two situations and temporalities overlap.